Aisling Towl

Cocktails with Phaedra

after Terrance Hayes

I meet her at the bar on Lower East — it’s both our favourites since Hippolytus took us
in one of his less chaste moods. There are pin-ups in the bathroom and a neon sign
saying something like well-behaved women rarely make history. Phaedra confirms

the rumours: she joined her ex in exile, found love in his perpetual repent. She won
an award that made him respect her, got a job and washed his dog and learnt to cook meat
in ways that impressed. She says you may not understand it,

but people resolve these matters in all sorts of ways. Some things are private, the sole remit
of a man, a woman and the dark. Phaedra orders us negronis. When she pays
on his Amex, I see how money changes everything. In my mind it’s

three years ago and I’m bent double over the pin-up bathroom sink, dress hiked above
my hips. She knows how we became liquid at that touch. Returned our floppy bodies
to their absent patriarchs. A Daddy is a Daddy, after all. So far from home

and unspooling with abandon; sugar rotting us like fruit unto alcohol, aged in barns
upstate. Wind blowing through the peach fur. I say Phaedra, I want to be a woman
immaterial, but I am just an animal with a slack, hungry mouth.

Aisling Towl is a poet and playwright from South London. Her writing has been published in various poetry journals, shortlisted for the Bridpoint prize and nominated for the Pushcart Prize. Her plays have been staged at venues including the King’s Head Theatre, Cambridge Guildhall, and the Omnibus Theatre, and are published by Bloomsbury in the UK and Samuel French in the US. She is an alumnus of the Royal Court playwrights group and is the current Peter Shaffer playwright-in-residence at Trinity College, Cambridge.