Harper Quinn

Suppository

Whose thorn in a thimble is this? 
Whose backward glance?
Whose eft in the tall grass?

For the purposes of this poem
let’s let suppository
be a repository for supposing

Suppose I’d really wanted
to put out
in a pickup truck that night

Suppose you hadn’t been as bored as a baroness
I suppose I could have loved you

But that was a sestina ago

Before the glaciers
and the eft
Before the thorn and the thimble

Now, drinking my smoothie I think about
how the flax seed
is hidden
in the grain of the linen

Hidden because transformed?
Or hidden because lost? Hidden because hidden?

When I lost my mother’s wedding ring it went
with not so much as a chime

It went quietly
like a suppository into the night

like an eft in the tall grass
like a ream undone in the wind
like a promissory note flying up
a pneumatic tube

Walking through the neighborhood
all of the windows of the houses
flooded with the same blue tv screen light

as though everyone were watching
the same footage of the same glacier melting

Still, I keep turning toward you

like a bolt in the hull
of a cruise ship,

Something huge and slowgoing
and then going fast and wide
with a big wake

The tables have both turned
and not turned

Something fits like a potato in a shoe

Harper Quinn lives in Portland, Ore. She is the author of Coolth (Big Lucks Books, 2018), and several chapbooks including Unnaysayer (Flying Object 2013), and Thrownness (2019). She’s part of the staff leadership collective at the IPRC, and creates short-run, collaboration-forward zines and art books under the self-publishing project Twin Window Editions. Poems can be found in the Buckman Journal, the Volta, and elsewhere. Her second full-length collection of poems New Nudes is forthcoming from Fonograf Editions.