Suppository
Whose thorn in a thimble is this?
Whose backward glance?
Whose eft in the tall grass?
For the purposes of this poem
let’s let suppository
be a repository for supposing
Suppose I’d really wanted
to put out
in a pickup truck that night
Suppose you hadn’t been as bored as a baroness
I suppose I could have loved you
But that was a sestina ago
Before the glaciers
and the eft
Before the thorn and the thimble
Now, drinking my smoothie I think about
how the flax seed
is hidden
in the grain of the linen
Hidden because transformed?
Or hidden because lost? Hidden because hidden?
When I lost my mother’s wedding ring it went
with not so much as a chime
It went quietly
like a suppository into the night
like an eft in the tall grass
like a ream undone in the wind
like a promissory note flying up
a pneumatic tube
Walking through the neighborhood
all of the windows of the houses
flooded with the same blue tv screen light
as though everyone were watching
the same footage of the same glacier melting
Still, I keep turning toward you
like a bolt in the hull
of a cruise ship,
Something huge and slowgoing
and then going fast and wide
with a big wake
The tables have both turned
and not turned
Something fits like a potato in a shoe
Harper Quinn lives in Portland, Ore. She is the author of Coolth (Big Lucks Books, 2018), and several chapbooks including Unnaysayer (Flying Object 2013), and Thrownness (2019). She’s part of the staff leadership collective at the IPRC, and creates short-run, collaboration-forward zines and art books under the self-publishing project Twin Window Editions. Poems can be found in the Buckman Journal, the Volta, and elsewhere. Her second full-length collection of poems New Nudes is forthcoming from Fonograf Editions.