That summer
—our melodrama was the ocean. We were heartsick in anticipation, our looks full-laden with meaning. We stumbled about with eyes like blown bulbs, jealousy giving way to bliss, hope morphing into a yowling fear of death. We resented the future. We marvelled at oaks. We hated pollution. We worshipped the sound of our voices laughing together, their mirror cadence. We despised capitalism. We whispered I don’t want you to die, holding hands on the pedestrian bridge and waving hello to the trains. We were lovers under a wide open window in Paris, sweltering in the knowledge of the heartless working week, its callous first train ready to pull the one away from the other like a startled cloth out from under a vase falling, the hateful kilometres hardening like poured concrete—
Erica Hesketh’s poems have appeared in The North, Magma, harana poetry, Propel, PERVERSE, Under the Radar and elsewhere. She placed second in the 2022 Winchester Poetry Prize, was commended in the 2023 Magma Poetry Competition and the 2023 Stanza Competition, and was longlisted for the 2024 National Poetry Competition. She is the editor of Living in Language: International reflections for the practising poet (Poetry Translation Centre, 2024). Her debut collection In the Lily Room is forthcoming in 2025 from Nine Arches Press.