Love poem on an 80-inch screen
The boys outside our window take turns
pretending to be owls. This happens
every night, I have decided it is a love
poem. Their hoots, distorted in my sleep,
become a broken doorbell
announcing love’s arrival like Zeus
parting the clouds, imposing his will,
a lightning bolt of gossip.
Now I have to sit in all this knowing,
quiet for fear of hubris
which I always thought was Greek
for wine. No wonder I’m stone-cold
sober & more bearable. I want our home
to be the inside of a stone
-fruit, not the pits, just warm
fuzz, like pins & needles. You always
bring out the childhood in me –
sitting criss-cross applesauce
till I can’t feel a thing, crying to mum
I have the TV inside my legs.
In a sense I still do – flick through
any channel, there’s a story about us.
Even the traffic reports.
Especially the traffic reports – I’m kidding.
We’re more like Ideal World.
A woman holds out a great thing of jewels.
I am her gloved hands, you are
worth a lot. We have a dedicated audience,
they sit outside our home, tuned in
every night, hooting whenever
you glint through the screen.
Poem in the form of a couplet that forgets to
When I’m sad I write about the sea. I grew up on the blue and vastness is such an easy connotation. Think about the world’s loneliest whale, calling out at a pitch no one else can hear. Hello. My father insisted we move to the Costa Blanca because he’d become ill without the sea. It took him twelve years of my life and many a ruined Christmas to empty his heart. Hello. It was awful opening presents on the beach. All that crashing and off he stumbles to the chiringuito, no cares because he can’t remember them. I am eight with sand between my toes, asking if alguien sabe donde está mi papá. The sea doesn’t answer. A critic finds it alienating when I don’t speak English in my poetry. Hola. I didn’t write this to hold your hand; I am trying to hold my father’s. He is in another dive bar, I am refusing to leave the house, blaming it on the sun until my skin turns blue. Hello. Why did he yearn for that emptiness, leave in a boat with a crate of beer and occasionally me. Once, he knocked himself out, fell deep with an Estrella in hand. I watched blood rise to the surface like an exotic fish, called for help but the night didn’t hello. I don’t remember how he lived
but he did. How’s that for resolution. I woke one morning shocked by the sight of my veins; thought they’d been drawn on, looked around for the culprit. All this blue on me and who’s to blame. It took me all this time to notice. Empty house. Where waves break.
Charlotte Shevchenko Knight is a writer of both British and Ukrainian heritage. Her debut poetry collection Food for the Dead, published by Jonathan Cape in 2024, was a winner of an Eric Gregory Award (2023) and the Laurel Prize for Best First Collection UK (2024). Shevchenko Knight is a Manchester City Poet and is completing her NWCDTP-funded PhD at the Manchester Writing School. She is currently writing a work of autotheory titled The Inexpressible.